Anisa Makhoul took 10 years to come back to art

Our own Anisa Makhoul answers your questions about creating art for surface design. We asked the artist to select three questions pertaining to her art career. These are her fascinating answers.

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Q. If you hadn’t become a professional artist, what kind of career do you think you would have chosen?

A. If I couldn’t do anything artistic at all, I would have studied herbs/flora and religion. I’m very interested in folklore, folk magic, and African American folk spirituality. I dream of traveling to the Caribbean and studying under a root doctor. Maybe I’ll still do it one day.

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Q. How old were you when you knew you wanted to be an artist? Did you strive to get your art on the refrigerator as a child? Describe your earliest artwork. 

A. When I was really young I used to draw pictures with my crayons and then put prices in the corners, like 5 cents or so, based on how good I thought it was. I’d force my parents and grandparents to buy my drawings from me. I wasn’t just going to give them the art for the refrigerator. 

Q. Did you have formal art training? Thinking back to art school, what’s something you learned in a classroom that you still use to this day?

A. I have a BA in fine art printmaking from Minneapolis College of Art & Design. I started out as a film and photo student and ended up graduating in hand printmaking. I never even considered illustration as a career. I thought I couldn’t draw because that’s what my drawing teacher told me. In fact, after I graduated from art school I was very sure that I had no place in the art world. After college I started sewing handmade dresses and doing fashion design. It took me 10 years to come back to art. Everything clicked when I began allowing myself to draw things in the wackiest, most relaxed way I could. I started enjoying drawing, and getting better at it. 

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Anisa's clients include: Vogue, Compendium Books, Anthropologie, Flow Magazine, Taproot Magazine, American Greetings, Trend Bible, Cost Plus World Market,  TeNeus Publishing, TJ Maxx, Design House Greetings, Godiva, Hallmark, Harrods of London. 

Miriam's Latest Project Just In

Hello again,

A little while ago, I received such a wonderful sample in the mail. And I finally got around to making photos so I could share it with you.
Demdaco produced a super lovely and soft scarf with one of my designs that I licensed last year. I am so happy with the quality.
Personally, I think it also works very well as a shawl, because of its size (24″w x 72.5″long)
The artwork is a mixture of line art and painted elements.
Beautiful florals, combined with acrobatic swallows and dragonflies, adorn the textured sky-blue background. The backside of the scarf is a periwinkle blue.
When I first picked up the scarf, I noticed how soft it feels. It’s made of a combination of polyester and rayon, which gives it a bit of a silky appearance. But it’s also slightly fluffy like fleece. Knowing nothing about types of fabric, I find it rather difficult to explain, haha.

Anyway, I wanted to share this with you. It’s so lovely seeing your artwork appearing on actual products! I always feel like such a lucky girl when I receive these samples at home. 

After some research, I found a website that is currently selling the scarf, along with a beautiful line of other designers.

You can find it here.

Please browse through the gallery below for more images.

Wishing you a great day!

Miriam

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MiriamBos_DemdacoScarf

Rachel Grant Answers Your Questions

Our own Rachel Grant answers your questions about creating art for surface design. We asked the artist to select three questions pertaining to her art career. These are her fascinating answers.

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Q. If you hadn’t become a professional artist, what kind of career do you think you would have chosen?

A. It’s really hard to imagine doing anything that is not within a creative field of some description. When I do it all gets a bit random. If it wasn’t for the night shifts and the overwhelming responsibility I’d say a midwife... or a doula. Then of course I do very much like the idea of having a little antique shop full of old books and ceramics, with a stand outside selling plants... and fresh pies... and freshly baked bread! Perhaps I would have been a farmer... if I wasn’t scared of animals?! I would also have liked a little shop selling Fair Isle jumpers on an island off the Scottish coast... but I don’t think I could handle all that bad weather. Overall it’s probably a good idea I took the path I did. I can take myself off to different worlds in paint every single day, without the commitment to stay there!

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Q. Where do you find inspiration?

A. I spend a lot of time looking back for inspiration. I am obsessed with history, nostalgia, time-worn surfaces, patterns and ephemera. I love the way that the aesthetics of the past influence trends; and the way that those trends resurge in cycles is also fascinating. These kinds of interests lead me to antique shops, second-hand book stores, museums and anywhere where history comes alive. So here in the UK we have lots of stately homes, castles and other places of interest, like factories and mills that are open to the public and are full of inspiration. I also love to relax in front of films and TV dramas that mix historical reference with fiction, or even science fiction and fantasy. I love to see the way a director plays with colour and style to create exciting visual interplays between past/present/future. Wes Anderson’s colour palettes for example are absolutely divine and I spent the whole of the film “Brooklyn” geeking out about the way that John Crowley and his team had beautifully coordinated the knitwear with the wallpaper in each scene!

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Q. Thinking back to art school, what’s something you learned in a classroom that you still use to this day?

A. I followed a very clear path into the arts from high school to a BTEC Art and Design foundation course at college, and then on to a Textile Design and Surface Pattern degree course at University. The most prominent and transferrable skill I learnt during those years was about layering and manipulating surfaces to create texture and depth. Since graduating I have worked on all kinds of different projects, from original art, site specific installations, collaborations with performing arts groups and architects, through to the illustration and licensing work that I do now. In one way or another all of the work I create has been underpinned by those first years of experimentation in mark-making and surface manipulation.

Everything I hoped the internet would be!

Hurry quick for a giveaway TODAY! Jennifer Orkin Lewis (aka: August Wren). Jennifer is giving away this lovely print on her Instagram today!

Good luck! - (the other) Jennifer

Jennifer on Print & Pattern!

As always we are just DELIGHTED to be on Print & Pattern! Marie ran a lovely feature on Jennifer Orkin Lewis this week! Enjoy! - (the other) Jennifer!


Jennifer graces SURTEX 2015 with her sublime beauties.

This week, I am counting down the (3!) days until SURTEX by featuring sneak peeks of each artist's work. Hold on to your horses, Jennifer is a knock out.

I fell in love with Jennifer the instant I saw her work. Great painters are few and far between and this one is as special as they come. Jennifer's work evokes joy, delight and a unique perspective on this world.  I am so fortunate to receive a painting from her nearly every day. Can imagine a more lucky inbox? Jennifer is currently working on her second (self-authored) book, a commission for hope chests for 3 lucky CT girls, loads of cards, and repeats for children's clothing in Brazil. Keep your eye on Jennifer, she is flying to high places... and I am SO LUCKY to be along for the ride!  Come meet Jennifer and see her jaw-dropping work @ Booth #355 or contact me to see hundreds of her images in our archives.- (the other) Jennifer

Bee buzzes into SURTEX 2015!

This week, I am counting down the (6!) days until SURTEX by featuring sneak peeks of each artist's work.

We start with Bee, her delightful wit and innate design sense. Clients are eating up her yummy color palettes., with licenses and commissions for wall art, stationery, books, little girl's dresses and *maybe* even fabrics! Once again, I am counting my lucky stars! This girl is on fire! I am thinking product development is next! Here's some eye candy for you! Visit Bee's updated portfolio today!  - Jennifer